After completing my graduate studies at Jawaharlal Nehru University in New Delhi, I have worked in the culture industry of India, focusing on contemporary art of South Asia as a researcher, critic, and curator. Being involved with organisations that challenge authoritarianism, I am interested in how art and activism intersect in powerful and necessary ways. My learning in art has been shaped by ‘doing’—working with artists and collectives, working against capitulatory institutions, and working towards sites of freedom. It is a mode of learning driven by shared spaces, cross-disciplinary pollination and open pedagogies such as reading groups, writing workshops, and public seminars. Such formats of ‘thinking with’ are integral to my scholarship. My research on the mediatic transfers between the photographic and painted image emerging from cites of civic resistance in India will chart a history of lively contestation over notions of the public sphere, articulations of dissent, acts of collective organising, and assertions of difference. By engaging with the history of civic action from below, I hope to draw vital insights into the evolving political ecology of resistance, and its cultural afterlife as image and icon.